Repeated use of a shape, color or design element unifies composition, creates pattern, rhythm and movement as well as reinforces content. This workshop focuses on the creation of intricate patterns, expressive personal surfaces and complex, multi-layered pieces utilizing and in combination with encaustic painting techniques. With an emphasis on mixed media and mark-making, participants will focus on finding their voice through these new techniques. Methods and materials covered in this workshop include the use of organic and geometric form, realistic and abstract imagery, patterned collage, stencils, candy molds and branding (creating marks with heated metal and wood burning tools). Considerations such as using pattern and repetition as content itself, to tell a story, support and/or strengthen the content message will also be discussed. Optional individual critiques with Lorraine are offered to all participants.
For more information and to register: amandajolley.com/classes/mixed-media-encaustic/
Event Dates: 9/5/2017 - 9/8/2017
Location: Northeast Art Workshop Studio
19 KETTLE COVE - BUILDING C7
Gloucester, Massachusetts 01930
Encaustic Mixed Media: Line and Grid
$650 for 4 full days (Includes supply fee)
Taught from an alternative, experimental approach with daily demos, critiques and discussions of ideas and progress.
Lines lead the eye and communicate information through variation in width, direction, density, length and character. They are as integral to any composition as the composition itself. Despite the incredible versatility of the encaustic medium, there is a limit to the techniques available in which to incorporate line. This workshop explores line and linear language far beyond the usual methods and materials to include the use of tjanting tools, masks, drawing with horse and human hair, branding with heated metal and wood burning tools, as well as creating your own grids, laces and lace like forms using free motion sewing machine embroidery on water soluble stabilizer. Also, a bonus demo of working with candle/incense to make marks.
The workshop begins with a comprehensive exercise involving composition generation, which will result in several compositions from which to explore these new techniques. Considerations of the use of the grid as a conceptual as well as compositional tool will also be discussed. FOR FULL DETAILS AND REGISTRATION: https://northeastartworkshops.com/event/65181/lorraine-glessner
Artist Bio ~ Lorraine Glessner, MFA Temple University, is a highly accomplished encaustic artist in high demand for her works and her teachings. Her works have garnered many top juror awards in impressive shows in addition to Nominee, NICHE Educator of the Year award.
Join master calligrapher Massimo Polello and artist Nancy Crawford for an exciting week of calligraphy and encaustic painting, exploring the dualities of Order and Chaos, Fire and Ice.
According to classical science, the definition of Chaos was an “absence of order”. Today Chaos is considered a form of complexity. If we look back to Greek mythology, the Cosmos or Universe was a beautiful, well-ordered whole that arose out of Chaos. Order and Disorder, Cosmos and Chaos are in fact etymologically related. Is it not natural then for us as artists to want to participate in this dance, this exploration of Order and Chaos?
The Lettera Capitalis Monumentalis are perfect examples of precision and equilibrium; ORDER in the classic and purest sense of the word. Peace and security are conveyed as in the upright columns of a Roman temple. The aim of the first part of the course is to present the Roman letters in their purest forms, their construction, ductus, proportions and spacing, written initially with an ordinary pencil and then with a flat brush, horizontally and then vertically as the first letters were. Even at this early stage of the workshop we might discover that the Lettera Romana is perhaps not as “in order” as it seems, and that its basic shape always depends on fortune, timing and the moment of writing.
The second part of our calligraphic focus will be on exploring different ways of executing a freer form of writing, freer in the sense of inviting the unexpected, random and fantastic. In essence, a form of writing that is driven by instinct and comes from the “gut” – the place that many oriental traditions believe houses true knowledge. The aim is to encourage every student to develop his/her own technique.
Finally, we will combine lettere capitalis and free writing, Order and Chaos, through a process of layering our calligraphy with encaustic medium, a luscious surface of beeswax and damar resin. This ancient technique that originated with the Greeks will provide an exciting process for us to continue our exploration of our dynamic dualities adding additional colour, depth, texture and finishes.
5-Day Program Investment
$825.00 + GST = $866.25 prices are in CDN dollars; an excellent opportunity for participants coming from the US and abroad.
Your tuition covers most supplies including papers, wooden panels, adhesives, encaustic medium, oil paint, metal leaf, enamel paints, assorted graphite media, pan pastels, India ink, and more. In addition, your fee includes the use of all studio equipment including grills, heat guns, torches, several brushes, tools and drawing boards. The studio space itself is a large, open space with great ventilation and double doors leading to an outdoor courtyard. Your fee also includes 5 catered lunches.
Upon registration for this program, you will be sent a small supply list of calligraphy materials to bring along (pens, brushes, some inks and gouache) in addition to a questionnaire to fill out that will help you identify a concept or idea to work with and develop over the course of the workshop. At that time we will also check for any dietary constraints or preferences.
Accommodations: There are several options for staying close to the studio venue. Please email us to receive an accommodations list.
This workshop is about coming closer to what you as an artist want to say: Not my voice, but yours. I will help you find the tools and techniques you need to express yourself, and to create a series of paintings that reflect your creative self. How do you come to that point of recognition? Coming to it, how do you express it..what does the painting look like?
This workshop is open to artists with encaustic experience, or artists new to encaustic who work in other mediums.
Each student will work on a group of paintings that will work together, that can be exhibited or seen as a series. That inform and enhance each other. We will work on a series of panels from 12” to 24”, depending on what size best suits you.
By touching on the works of a number of artists in various mediums, we will try to come closer to understanding what your source is, by looking at what theirs were. What are your resources, what touchés you, what do you want to say?
It isn’t about techniques as an end, but at technique as a means toward what you want to achieve. However, we will also review or introduce a variety of techniques. We will talk about color, about transparency, layering, line, collage and the inclusion of photographic imagery, mark making and the small pour. and a variety of tools of expression..
details at . www.nmencausticworkshops.com
Get fired up!
July 2-8, Lexington, Kentucky in the EncaustiCastle
SummerWax like WinterWax brings you around my table to explore what comes when fully engaging in the practice of connecting to inner muse and trusting it to create a lifestyle that reaches deep and wide and is sustaining. I share what fires me up, in trust that it ignites your spirit for creative exploration and visioning as well~
all workshop instruction with Patricia, Melissa and Brenda
most supplies and materials
accommodations in the EncaustiCastle
welcome dinner at EncaustiCastle
breakfast and lunch on workshop days
all the amazing and unexpected discoveries that come from new experiences
Around the dining table:
Around the studio table:
•fire and wax fusion-using fire in many forms to set the stage for encaustic beauty
•elemental material usage as a means to sophisticated expression and depth resonance
•engaging the inner muse to draw in on these new firey options with individual expression
•perfecting our presentation with post photo tips and tricks for posting as well as print
•luscious inclusion and finishing of photographs with encaustic medium and paint
strategizing success: vision casting for the remaining year before us
group conversation and feedback
determined process evaluation of goal-setting revelations to most effectively carry them into the rest of the year
and of course good food and fabulous companionship~
In this workshop, we will experiment with varied ways of combining the media of encaustic and paper as we simultaneously investigate and explore personal ideas and content. Create unique waxed based sculptural, assemblage and mixed media works that dovetail with your own personal artistic vision. Work through your ideas quickly as we learn to paint and monoprint on oriental papers using pigmented molten encaustic. Specifically, learn how to carefully glue Japanese mulberry paper to lashed wooden armatures and make them as tight as a drum. Encaustic can be used to lightly stain and strengthen the structure or it can completely envelop and encase the paper, creating a unique three dimensional forms. Learn how to fuse onto both convex and concave surfaces as we create structures that range in form from the organic to architectural. Stain, paint, embed, layer, stitch, crumple, fold, form and dip: Complete a series of small studio constructions that will inspire and ignite diverse sculptural ideas.
This is a deeper investigation than just technique….what is it you truly want to express? Through a series of journaling, writing, and encaustic work on/with paper, find your authentic voice and vision so that you can make work that expresses your deepest self. Whether you’ve been an artist for many years or just starting to find your own voice, this is an opportunity to deeply excavate to personally meaningful content. Learn how to develop an expressive body of work that is thematically focused and aesthetically consistent in presentation. Lots of individual attention. You will leave with individualized assignments, new work from which to springboard and a sketchbook that acts as a personal reference for the future. A rich fusing indeed!
For more information and to register: amandajolley.com/classes/encaustic-paper/
Kat Masella generously and enthusiastically shares many techniques and methods of working with encaustic in a safe and healthy manner - making this hot wax medium easily accessible to all. These inspiring sessions will unleash your unlimited creative potential with this most versatile and limitless medium Come play and be seduced by this addicting artist medium. These encaustic classes fill quickly and limited to 14 students. ALL MATERIALS & EQUIPMENT PROVIDED. Workshop tuition only $299. Registration
Kat Masella, is an award winning encaustic mixed media artist. Masella has studied art extensively at Boston SMFA with concentration encaustic both self-taught and via master workshops as well as encaustic intensive teacher training R&F.
Kat has worked in all artistic mediums for nearly two decades but, it is encaustic's sensual possibilities that fuels her passionate flame. Masella has been full time artist since 2011 exhibiting regularly in juried shows of New England and teaching at Northeast Art's Studio Center.
This workshop involves an in depth exploration of block printing on paper and fabric. Drawing inspiration from ethnic textiles and contemporary art, we will look at different sources and examples of how block printing can be used in artwork and other creative pursuits. Motifs, designs and pattern repeats will be emphasized as well as the way pattern, repetition and rhythm can be used in compositions. Students will carve rubber blocks with their own unique images and will be encouraged to develop their own personal vocabulary. Instruction will be given on different types of repeats, such as: mirror repeats, quarter turn repeats, and seamless repeats. Designs can be incorporated into encaustic works, used for home or clothing textiles, decorative papers, in handmade books or journals, or as limited edition prints.
More info & register: amandajolley.com/classes/exploring-personal-symbols-motifs-and-designs/
Instruction in a variety of print media including Monoprints, Intaglio, Relief,
and Encaustic Collagraph and Traditional Collagraph, Mixed Media Print Approaches.
Designed for both beginners with no printmaking experience as well as experienced artists who would like to add new techniques to their own personal toolbox. Each class will provide you with technical information and personal assistance with discovering and creating your own personal imagery. $649 for 5 full days.All Levels/In-Studio. Registration
Jeff Hirst has been exhibiting his work since 1987 and has shown extensively across the United States and Europe. Hirst’s work has been shown at The Minneapolis Institute of Art, the McKinney Contemporary in Dallas, Butters Gallery in Portland, Oregon and Arte Internazionale in Matera, Italy. Hirst is the owner of Hirst Printmaking, a printshop and teaching facility where research and exploration in experimental print ideas meld encaustic and printmaking.
There is an “early bird” discount of $100 if you sign up by June 1, 2016!
All levels welcome! Beginner to experienced artists.
Textures! Colors! Patterns and Shapes! These elements are everywhere, especially in the magnificent country of Mexico. Discover how to combine these rich “ingredients” to create beautiful works of art. Mexico is the land of intriguing old walls, windows, doors, signage and sidewalks. Crumbling, decaying flaking and rusting surfaces abound, combined with vibrant layers of colors and patterns.
Utilizing “photo-strolls”, sketching, mixed media and warm encaustic wax, learn how to interpret these dynamic surfaces that surround you. As an option, you may bring ideas/sketches/photos from home and favorite places that inspire you. We will employ “vision and touch” to create small “tacTILE” sample boards, using at least a dozen (or more!) mixed media techniques. For your final project, you may either assemble your beautiful “tacTILES” onto a larger substrate, or continue to explore the wonderful surfaces that inspire you.
You will learn the following techniques:
Cost of workshop, lodging & food: $1800 (based on double occupancy, there is a fee for single occupancy, based on availability)*. Airfare, airport transfers and dinners NOT included in the fee.
*There is an “early bird” discount of $100 if you sign up by June 1, 2016! This makes the total cost $1700. Please mention this to Sam/Hacienda Mosaico when you sign up. For more detailed workshop information, contact Lisa: firstname.lastname@example.org
Registration (Hacienda Mosaico, Puerto Vallarta, Mexico): http://www.haciendamosaico.com/ws_06.html
Lodging and workshop information (Sam Leonard): email@example.com
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