TAKE YOUR CREATIVITY TO SPAIN with Ellen Koment and Belen Millan. March 18-24, 2018, The week before Spain's Famous Easter Week! Come and Paint for a week, and stay for Spain's renowned Easter Week Celebrations! Visit this beautiful ancient Mediterranean City, Malaga, and allow it to influence your Encaustic Painting. SIX DAYS OF ENCAUSTIC PAINTING, TOURS AND SPANISH LIVING. Malaga, now becoming a new Spanish center for contemporary art.
The beautiful landscape and villages
The 2015 Workshop at the Aplama Gallery, Malaga, artists from around the world..Belén's paintings on the walls.
Belén Millán and Ellen Koment will teach the workshop, and Belén will introduce you to the art and culture of her native Spain.
There are many different ways to discover Spain: enjoying its coast and beaches, following a route around its various monuments, exploring the countryside, playing sports like golf... However, if you've never visited Spain during Easter week, then you simply have to come. And even if you already know this famous fiesta, it's well worth making another trip, as each region of Spain has its own way of celebrating the event.
In Spain, Easter week is celebrated with a great deal of emotion. People take an active role in its events and traditions. All day and night the streets are filled with the beat of the drums, masses of colourful flowers, and the consummate art of religious sculpture, all combining to produce a highly moving atmosphere.
Easter week is celebrated in every city, town and village in Spain. Nevertheless, there are some fiestas that are especially well known for their uniqueness and beauty, and have received the International Tourist Interest designation.
During Easter week in Seville you'll see how the "cofradías" (religious brotherhoods) manage to withstand the colossal weight of elaborately decorated statues of the Virgin Mary as they parade through the narrow streets of the old town. Easter week in Malaga includes the ritual privilege of the freeing of a prisoner, and one of the most moving moments of all is when the figure of Jesus Christ blesses the convict. During the Easter week celebrations in Cuenca you can also enjoy the concerts in the Religious Music Week festival, which take place in historic buildings such as the cathedral.
More about Easter Week
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Read about our workshops in the IEA Zine destination workshops
Malaga has been chosen as one of the top ten cities for 2015 in the world by Rough Guides.... it gives an overview of the city… see the review. It is now the New Spanish Art Hub!
Fall is the best time to travel to Europe. No more tourist crowds, good weather and this year as a bonus we have a favorable exchange rate (20% less than last time we did our European workshop!). Airline prices traditionally go down in the fall but new airline competition has brought down prices even more: check out Norwegian Air Shuttle, Airberlin, Wow Air and other international discount carriers (Norwegian has announced rates to Europe as low as $69!). These prices are making it easier than ever hopping between destinations across Spain and Europe -- same currency, short travel distances and unbeatable prices!"
Encaustic Art Institute 632 Agua Fría Santa Fe, NM
Encaustic Monotype Workshop
LINE FORM & COLOR
Sunday June 3, 2018
10 am to 2 pm
This class is full of informative and fun exercises designed to help you create outside of your habitual ways of working. To begin, we explore the line, contour line, negative space and expression through a series of directed exercises using carbon, graphite, and encaustic sticks. Then we will look and discuss the power of color to convey and communicate meanings and messages without words.
Open to artists at all levels, but basic monotype printing and painting knowledge needed. If you do not have these, or need a refresher, please ask Jorge about private or semi-private workshops a few days prior, to help you get ready.
Class limited to 8 people
all supplies and tax included
Workshop registration at:
or call Adrienne 505-424-6487
Encaustic Art Institute
632 Agua Fría anta Fe, NM
MIXED MEDIA ENCAUSTIC
Saturday June 2, 2018 - 10 am to 3 PM
Explore color and design through hands-on exercises using the encaustic medium as a gluing element. Learn the techniques and processes of combining different papers and materials and many of the hot wax possibilities. Individual and group feedback provided, plus a visual survey highlighting the history of collage and its contribution to the arts in the last century. This Mixed Media encaustic workshop will cover composition, color, contrast and form as an organizing principle. We will use My REDBOX to create a series of altered papers (monotypes) with each student’s marks, patterns, texture and designs. Also newspaper, magazines, thread, ribbons and any other materials you wish to explore with are welcome. The class is designed for both beginners and experienced artists. art.
Doug Mehrens email@example.com
Friday June 1, 2018 - 6-9 pm
632 Agua Fría Santa Fe, NM
This Introductory class will provide an overview of encaustic monotype techniques for artists at all skill levels. We will cover the equipment, tools, paper types, texture, quality and absorbency; managing the plate temperature, drawing with encaustic color sticks and pencils. Also covered: the additive and subtractive process, masking, the monotype finishes and health and safety.
Cost: 125.00 All supplies and tax included
Doug Mehrens firstname.lastname@example.org
or call Adrienne 505-424-6487
. Koment, tryptich on paper 30" x 68"
At the heart of working with encaustic wax, for me, is COLOR, the wonderful range of glazing possibilities. Using transparent layers of various colors to create new colors, understanding how to achieve beautiful affects with a full palette of color, whether it is soft or vibrant. Color is our most magic tool for conveying an meotional state. For me, it is at the essence of what I do as an artist. I think in color first. Whether you do or not, it is an important part of your process to learn and understand.
We will talk about mixing our colors, whether from commercial paints , dry pigments, or oil paints. Getting them to the place where they will do all that they can do. Where we can glaze, whether by brush or pouring, to create a harmonious and beautifl color experience.
We will consider what glazing can do for us, and how to achieve beautiful glaze affects.
And how to most effectively apply the paints to achieve our goals, whether by small pours or brushing.
Ellen Koment taught Color Theory at the College level for many years.
All materials are included except panels and paper, a list of optional items will be provided upon registration . fee $485..plus $50. materials fee
Repeated use of a shape, color or design element unifies composition, creates pattern, rhythm and movement as well as reinforces content. This workshop focuses on the creation of intricate patterns, expressive personal surfaces and complex, multi-layered pieces utilizing and in combination with encaustic painting techniques. With an emphasis on mixed media and mark-making, participants will focus on finding their voice through these new techniques. Methods and materials covered in this workshop include the use of organic and geometric form, realistic and abstract imagery, patterned collage, stencils, candy molds and branding (creating marks with heated metal and wood burning tools). Considerations such as using pattern and repetition as content itself, to tell a story, support and/or strengthen the content message will also be discussed. Optional individual critiques with Lorraine are offered to all participants.
For more information and to register: amandajolley.com/classes/mixed-media-encaustic/
Event Dates: 9/5/2017 - 9/8/2017
Location: Northeast Art Workshop Studio
19 KETTLE COVE - BUILDING C7
Gloucester, Massachusetts 01930
Encaustic Mixed Media: Line and Grid
$650 for 4 full days (Includes supply fee)
Taught from an alternative, experimental approach with daily demos, critiques and discussions of ideas and progress.
Lines lead the eye and communicate information through variation in width, direction, density, length and character. They are as integral to any composition as the composition itself. Despite the incredible versatility of the encaustic medium, there is a limit to the techniques available in which to incorporate line. This workshop explores line and linear language far beyond the usual methods and materials to include the use of tjanting tools, masks, drawing with horse and human hair, branding with heated metal and wood burning tools, as well as creating your own grids, laces and lace like forms using free motion sewing machine embroidery on water soluble stabilizer. Also, a bonus demo of working with candle/incense to make marks.
The workshop begins with a comprehensive exercise involving composition generation, which will result in several compositions from which to explore these new techniques. Considerations of the use of the grid as a conceptual as well as compositional tool will also be discussed. FOR FULL DETAILS AND REGISTRATION: https://northeastartworkshops.com/event/65181/lorraine-glessner
Artist Bio ~ Lorraine Glessner, MFA Temple University, is a highly accomplished encaustic artist in high demand for her works and her teachings. Her works have garnered many top juror awards in impressive shows in addition to Nominee, NICHE Educator of the Year award.
Join master calligrapher Massimo Polello and artist Nancy Crawford for an exciting week of calligraphy and encaustic painting, exploring the dualities of Order and Chaos, Fire and Ice.
According to classical science, the definition of Chaos was an “absence of order”. Today Chaos is considered a form of complexity. If we look back to Greek mythology, the Cosmos or Universe was a beautiful, well-ordered whole that arose out of Chaos. Order and Disorder, Cosmos and Chaos are in fact etymologically related. Is it not natural then for us as artists to want to participate in this dance, this exploration of Order and Chaos?
The Lettera Capitalis Monumentalis are perfect examples of precision and equilibrium; ORDER in the classic and purest sense of the word. Peace and security are conveyed as in the upright columns of a Roman temple. The aim of the first part of the course is to present the Roman letters in their purest forms, their construction, ductus, proportions and spacing, written initially with an ordinary pencil and then with a flat brush, horizontally and then vertically as the first letters were. Even at this early stage of the workshop we might discover that the Lettera Romana is perhaps not as “in order” as it seems, and that its basic shape always depends on fortune, timing and the moment of writing.
The second part of our calligraphic focus will be on exploring different ways of executing a freer form of writing, freer in the sense of inviting the unexpected, random and fantastic. In essence, a form of writing that is driven by instinct and comes from the “gut” – the place that many oriental traditions believe houses true knowledge. The aim is to encourage every student to develop his/her own technique.
Finally, we will combine lettere capitalis and free writing, Order and Chaos, through a process of layering our calligraphy with encaustic medium, a luscious surface of beeswax and damar resin. This ancient technique that originated with the Greeks will provide an exciting process for us to continue our exploration of our dynamic dualities adding additional colour, depth, texture and finishes.
5-Day Program Investment
$825.00 + GST = $866.25 prices are in CDN dollars; an excellent opportunity for participants coming from the US and abroad.
Your tuition covers most supplies including papers, wooden panels, adhesives, encaustic medium, oil paint, metal leaf, enamel paints, assorted graphite media, pan pastels, India ink, and more. In addition, your fee includes the use of all studio equipment including grills, heat guns, torches, several brushes, tools and drawing boards. The studio space itself is a large, open space with great ventilation and double doors leading to an outdoor courtyard. Your fee also includes 5 catered lunches.
Upon registration for this program, you will be sent a small supply list of calligraphy materials to bring along (pens, brushes, some inks and gouache) in addition to a questionnaire to fill out that will help you identify a concept or idea to work with and develop over the course of the workshop. At that time we will also check for any dietary constraints or preferences.
Accommodations: There are several options for staying close to the studio venue. Please email us to receive an accommodations list.
1-3 people, 1-3 days, a really great way to get your questions answered, on dates that work for you.
email me about it email@example.com
Ellen Koment has been working with encaustic, and exhibiting it for 20 years. In 2013 she was awarded the prestigious La Vendeeme award for excellence in Encaustic Education. So we can assure you of a complete experience, learn the best encaustic practices within the context of a professional consideration of your work and your goals. And now, you can set your own dates and times. Come to Santa Fe with a friend, and both learn exactly what you want to learn
Join me in my beautiful light filled studio in a stone schoolhouse for an unforgettable experience. Learn, work, and enjoy your fellow artists.
And while you are here, explore all that beautiful Santa Fe has to offer
www.ellenkoment.com . ellenkoment@gmail
This workshop is about coming closer to what you as an artist want to say: Not my voice, but yours. I will help you find the tools and techniques you need to express yourself, and to create a series of paintings that reflect your creative self. How do you come to that point of recognition? Coming to it, how do you express it..what does the painting look like?
This workshop is open to artists with encaustic experience, or artists new to encaustic who work in other mediums.
Koment, series of panels 14" x14", encaustic on panels
Each student will work on a group of paintings that will work together, that can be exhibited or seen as a series. That inform and enhance each other. We will work on a series of panels from 12” to 24”, depending on what size best suits you.
It isn’t about techniques as an end, but at technique as a means toward what you want to achieve. However, we will also review or introduce a variety of techniques. We will talk about color, about transparency, layering, line, collage and the inclusion of photographic imagery, mark making and the small pour. and a variety of tools of expression..
Ellen Koment has been working with and Teaching Encaustic for twenty years and is the recipient of IEA's LaVendeeme award for excellence in Encaustic Education. She is a graduate of The Cooper Union and UC Berkeley, and shows her work nationally
Limit: ten students, Day goes from 10-4,
All materials except panels are provided, although students will be given a list of optional items . Three days: $485. plus $50. materials fee
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