IEA Member Artist Profile

Gae Canfield

Gae Canfield, a former Children's librarian, has been motivated as an artist to explore color both in paintings on canvas and on monotype plates. She wishes the finished product to have an aura that is timeless and responsive to human emotion, without necessarily depicting visual reality.

ARTIST STATEMENT

I have just recently come to encaustic medium and find that I am attracted to it artistically, as well as historically. The smell of the beeswax takes me back to high school days when my father had over a hundred beehives and it fell on members of the family to nail together frames made of aromatic pine. These frames, into which we would slip fragrant sheets of machine stamped beeswax, were then placed in beeboxes where the bees could build their honeycomb.

Using encaustic (a mixture of beeswax, powdered color pigments and damar resin) I plan color areas with purposeful interaction between, just as I have with oil monotypes produced on a press. When I begin I have a general idea of the placement of color, though how the color segmens will work together comes with the action of painting on the warm plate. As with press monotypes, it requires a certain willingness to let chance dictate the results. After removal of each drop of paper on the painted, heated plate, the wax emulsion quickly hardens into a lively interaction of color and shape. After several exposures to the paint, the paper holds my finished product. Making my own encaustic colors has added to the joy of this spontaneity. Most of my work is abstract with, on some occasions, a suggestion of landscape.

SAMPLES OF ENCAUSTIC ART



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International Encaustic Artists (IEA) is a 501(c) non-profit professional artists’ organization that
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